Comparing global media:
Losing the forest among the trees
John L. Sullivan
Muhlenberg
College
Robert
McKenzie. Comparing Media from Around the
World. Boston: Pearson Education, 2006.
xi + 372 pages.
$62.40. (paper).
There is perhaps
no topic with greater immediacy and urgency today than global
media and communication. Introducing this topic in the
classroom for undergraduate consumption, however, presents a
range of serious conceptual and logistical challenges. The
first challenge is one of information overload: Given a
mind-boggling amount of information about how the world
communicates, how much detail can be realistically included in a
single text? Once the scope of the field is sufficiently
bounded, organization then emerges as another major obstacle:
How should one construct a narrative about global media and
communication that connects economics, politics, culture, and
human behavior in such a way as to deepen our understanding of
media processes and effects?
Traditionally,
introductory global media texts have offered in-depth
explorations of individual countries’ media systems, leaving it
to the reader to draw useful comparisons and conclusions about
their operations. In obtaining such depth of detail on a
single country, however, broader patterns of global media
influence are submerged. To date, obtaining the right
balance between an overly-general worldview and idiosyncratic
country-specific analyses has been somewhat elusive (except,
perhaps, for Thussu’s
International Communication, 2000). Additionally,
since communication systems and global political realities are
constantly shifting, many books on the subject are dated almost
as soon as they are published and they consequently go out of
print quite frequently (as did Howard Fredericks’ excellent book
Global Communication and International Relations, 1993,
and Herman & McChesney’s The
Global Media, 1997). The lack of a clear, dominant
overview text makes the prospect of introducing students to
global communication a daunting one. The field is
certainly wide open for scholars to step in with excellent
textbooks that provide up-to-date information and a clear
organizational focus.
Robert
McKenzie’s Comparing Media from Around the World (2006)
is a new entry into the mix, attempting to provide a fresh
perspective by offering an in-depth look at the media systems of
eight different countries (France, Sweden, the United Kingdom,
the USA, Mexico, China, Ghana, and Lebanon). McKenzie
divides the media systems of these countries into specific
elements such as their political and cultural characteristics,
their regulatory philosophies and structures, media finance,
accessibility, content (including imports and exports) and
audiences. Interestingly, to better facilitate the
cross-comparison that is sometimes lacking in country- or
region-centered analyses, the book is organized according to the
media system element, with one aspect of each country’s media
system described in every chapter. So, for example, in the
chapter on media regulations, McKenzie briefly outlines the
types of organizational and institutional bodies that generally
structure mass media and then proceeds, country by country, to
explain the regulatory apparatus within the eight countries
under investigation. If this sounds a bit laborious, it
definitely is within the context of an introductory text.
Nevertheless, this is the only book currently in print that
offers this type of cross-comparative structure for analyzing
international media systems.
McKenzie is
crystal clear about his aims in authoring this text. The
book, he writes, attempts to better understand “how the elements
of a country’s media system affect the content that is
available, how that media system relates also to cultural
characteristics that are unique to a country or common to a
region, and how audiences within countries are led to interact
with media” (p. 10). The theoretical lens for this
analysis is what McKenzie terms a “rhetorical perspective” on
global media, which seeks to analyze “how media ‘invite’ a
particular audience to think, feel, or behave, given a
particular context” (p. 10). The aim of exploring the
connections between culture, political structure, and media
seems perfectly reasonable here, though the ultimate utility of
the rhetorical perspective is a bit murky. What kind of
analysis will this rhetorical perspective allow students and
scholars to pursue? On this point, McKenzie is not so
clear. Writing about the merits of such a
cross-comparative approach, he notes that “the process of
comparing inadvertently helps us to identify the reference
points that form conceptions of the self…When it comes to
comparing media systems, it is possible to define the points of
reference that have been cultivated in you through your
experiences with a particular set of media from particular
countries or regions (p. 7).” One would hope that
self-exploration is not the only motive behind the study of
international communication systems. In practice, the use
of the rhetorical perspective here serves mainly as an entrée to
straightforward description, and lots of it.
Putting the
fuzziness of the theoretical framework aside for the moment,
however, Comparing Media has a lot to offer, including a
wealth of detailed information about that is difficult to find
in a single source. Following the introduction and two
overview chapters which address globalization (Chapter 2) and
the elements of media systems (Chapter 3), the balance of the
book serves up detailed descriptions of various aspects of the
media systems of the countries under investigation. The
countries selected for in-depth study offer quite a nice
cross-section of different media systems and cultures, and they
are geographically diverse as well. One of the greatest
strengths of the text is its attention to specific details about
each country and its media systems (though this can turn into a
liability as well, as discussed below). The book also
features comparative summaries that are found at the end of each
chapter, which are indispensable. In them, McKenzie
summarizes the information from the chapter (no small task) in a
table, noting interesting similarities and differences across
the specific media element being explored.
There are
several standout chapters: One on media regulations in these
countries and two others on entertainment and news media
content. In the chapter on media regulation, McKenzie
first outlines the types of regulatory bodies and interest
groups (including citizen groups) that shape the format and
content of media. His comparative summary of media
regulations in these eight countries highlights some key
distinctions around the world regarding the role of the media;
as an extension of national culture (in countries such as
France, Sweden, and the UK for example), as a tool of commerce
(in the United States), and as an extension of government
propaganda (in China, for instance). The chapters on
entertainment and news reporting are both extremely detailed,
offering numerous examples not only of the form of media content
(including the size of newspapers and length of radio programs,
for example), but also of the content. Numerous
photographs of print and broadcast media from these countries,
taken by McKenzie himself when he traveled there, help to bring
the text to life.
Despite the
clear organization and expansive detail about these eight
countries’ media systems, however, there are a number of
foundational weaknesses in the book. In particular, the
limitations of McKenzie’s rhetorical approach rob the details of
the proper context within which to understand the operations of
these countries’ media systems. This is everywhere in
evidence in the second introductory chapter, entitled “Climate
of Globalization”. Clearly, no introductory text on global
media is viable without grappling with the concept of
globalization. McKenzie does so, defining it as “a kind of
worldwide climate in which people, industries, governments, and
countries across the world are being propelled into closer
political, economic, and cultural unions” (14).
Globalization is being stimulated by four factors, argues
McKenzie, including international travel, communication
technologies, global media conglomerates, and “audience
curiosity.” As the word “climate” suggests, globalization
is imagined here as an amorphous, weather-like phenomenon that
is as inevitable as El Niño,
rather than as a reality forged by powerful economic and
geopolitical forces. While McKenzie does mention the
“promiscuity of corporate profit making” as a prime symptom of
greater transnational coordination and integration, the relative
short shrift given to political economic factors underlying the
operation of global media systems emerges as a major conceptual
flaw in the book. Passing references are made here to the
UNESCO debates of the 1970’s and 80’s, but these issues are
underdeveloped, thereby obscuring the central role of the UN in
global communications politics. Also irksome are citations
of “leading researchers” in the field of global media that date
back to 1973, suggesting that perhaps nothing of note has been
accomplished by scholars since then. Finally, the fact
that no mention is made here of either GATT or recent
negotiations over international borders and telecommunications
policy under the umbrella of WSIS (World Summit on the
Information Society) is a glaring omission that will hopefully
be remedied in a future edition.
Another
disappointment emerges in the chapter on international media
audiences. Here again, the rhetorical perspective is
invoked in order to explore “how people are invited to feel,
think, and behave in relation to the media that are available”
(p. 328). McKenzie is careful to espouse methodological
ecumenism here, arguing that the rhetorical perspective “is used
to combine both qualitative and quantitative information” about
audience responses to media (p. 328). Given these
assurances, the reader might expect the subsequent discussion to
include an overview of scholarly studies exploring audience
reception or interpretation of media in these countries.
Unfortunately, the rest of the chapter features only a cavalcade
of charts and tables listing the number of Internet users,
newspaper readers, radio listeners, and television viewers in
each country. Given the lack of audience-based scholarly
research here, McKenzie is forced to speculate about the reason
for some of the patterns that emerge from the quantitative data.
Regarding newspaper readership in Sweden, for example, he
writes:
In Sweden,
reading newspapers appears to be integral to the daily lives of
most people, since almost 90 percent of the adult population –
evenly split between men and women – reads newspapers every day.
The high readership might be an indication that because Sweden
is a small country with a minority language, its people are
inclined to read newspapers regularly to learn what is happening
across the world, because world events have direct effects on
Sweden. Or the high readership might indicate that Swedes
simply enjoy newspapers as a form of communication. (p. 355)
Without any
exploration of scholarly audience research, the motives for
newspaper readership are mysterious and speculative. This
is just one example of the limitations of the rhetorical
perspective in understanding international media systems.
In sum,
Comparing Media from Around the World
delivers a wealth of detail about the media in eight very
different nations around the globe, though this information is
not supplemented with the kind of rigorous analysis that would
assist an introductory student in constructing a coherent
picture about the operation of international media systems.
Though the clear organization of the text is a definite plus,
the sheer volume of encyclopedic information within the prose of
the chapters causes the text to almost collapse under its own
weight. In its attempt to achieve both breadth and depth
in the study of international media systems, the book’s reach
often exceeds its ambitious grasp. As a result,
Comparing Media is not necessarily an ideal primer on global
communication, but it is certainly moving in the right
direction. In an era of increasingly interdependent
economic, cultural, and media ties, we need introductory global
communication texts in print. My hope is that this is the
first of many in the coming years.
References
Frederick, H.H.
(1993). Global Communication and
International Relations. Fort Worth, TX: Harcourt
Brace & Company.
Herman, E.S. & McChesney,
R.W. (1997).
The Global Media: The Missionaries of Global Capitalism.
London: Cassell.
Thussu,
D.K. (2000). International Communication: Continuity and
Change. London: Arnold Hodder.
About the
Reviewer
John L. Sullivan
is associate professor of media & communication at Muhlenberg
College in Allentown, PA.