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Article No. 5
Private Symbols as Vehicles for a Public Voice:
“Women of the Fast” Reject the Mafia
Valeria Fabj
College of International Communication
Lynn University
Abstract
Keywords:
women, Mafia,
public sphere, nonviolent resistance, transformative rhetoric,
social movement, hunger strike
In the late 1980s the
Italian government intensified its fight against the Mafia. At the
forefront of this fight were judges Giovanni Falcone and Paolo
Borsellino who, making use of declarations by former Mafiosi
turned state's evidence, gained in-depth knowledge into the Mafia
organization and uncovered many connections between the Mafia and
Italian government officials. On May 23, 1992 Judge Giovanni
Falcone, his wife, Judge Francesca Morvillo, and their body guards,
Vito Schifani, Rocco Dicirillo, and Antonio Montinaro, were killed
by the Mafia. Less than two months later, on July 19, 1992, a bomb
exploded in via D' Amelio in Palermo killing Judge Paolo Borsellino,
and his bodyguards, Emanuela Loi, Agostino Catalano, Vincenzo Li
Muli, Walter Cosina, and Claudio Traina. Falcone and Borsellino,
together with their bodyguards, became national heroes in death:
martyrs whose dedication to justice had cost them their lives.
The murders of Falcone
and Borsellino marked a turning point in the fight against the Mafia
in Italy. People throughout Italy, and especially in Sicily, felt
that the Mafia had gone too far and that they could no longer be
silent in front of its oppression. Palermo, the capital of Sicily,
was shaken as it had never been before by the realization that its
century-old association with the Mafia was becoming intolerable now
that Cosa Nostra had begun to resort to terrorist tactics of
outrageous proportions in direct defiance to the State. Even more
so, people were shocked by the inability of the Italian government
to prevent such attacks and the incompetence of many government
officials to confront the problem of the Mafia. Falcone and
Borsellino were supposed to be among the best protected of
government officials: they always traveled surrounded by bodyguards,
rode in bullet-proof cars, and their itineraries were secret. As
Italians mourned their dead heroes, they were reminded of Falcone's
own words as he was trying to explain why so many Italian government
officials had been killed by the Mafia: "One generally dies because
one is alone or because one has entered a game that is too big. One
often dies because one does not have the necessary alliances,
because one lacks support. In Sicily the Mafia hits the servants of
the State that the State is unable to protect"1 (Falcone
& Padovani, 1992, p. 171).
Rage was the common
feeling experienced by the many mourners who attended the funerals.
Among the participants were a dozen women who wanted to do something
to show their disgust over the murders of these innocent people and
the government's inability to protect them. Together they decided to
stage a demonstration in Piazza Castelnuovo, a square in the center
of Palermo. Three days later, on July 22, 1992, they met in the
square, set up a tent, brought tables and chairs, and sat under a
big banner that read: "We are hungry for justice. We fast against
the Mafia." They called themselves "le donne del digiuno"
[the Women of the Fast], and began fasting, by taking turns of one
to three days, and forming a permanent presence in the square for an
entire month. They demonstrated their rage against the Mafia and
against the government and requested that five of the government
officials responsible for the fight against the Mafia resign and
admit their incompetence. Soon, the women were joined by others, and
at times numbered over two hundred. Four government officials
resigned, and one was transferred, in effect honoring their request.
More importantly, however, the Women of the Fast forced people in
Palermo to take notice of them, to think about the Mafia, and to
stop their daily routines in recognition of the problem of the
Mafia. Their actions received media coverage in Italy and around the
world.
This essay analyzes the
rhetorical strategies used by the Women of the Fast. Specifically,
it looks at how women regained the right to speak against the Mafia
by using private symbols as vehicles for a public voice. By
occupying a public square, and using food, bed sheets, and their own
bodies as symbols of protest, they changed the meaning of this
public place. As such they gave a distinctly feminine touch to their
rhetoric, stripping away the traditionally masculine understanding
of public protest. Their use of non-traditional rhetorical
strategies is representative of other women's groups such as the
Mothers of Plaza de Mayo in Argentina, and many other women's groups
around the world who have also relied on traditionally feminine
symbols to create a new form of protest.
This study is
significant on two levels. First, it presents ways in which women
and other marginalized groups in society can gain a public voice and
speak to issues that have traditionally been relegated to authority
figures such as political experts and law enforcement agents.
Second, it is important from a theoretical standpoint as it shows
how the translation of private symbols into public ones can lead to
a new interpretation of social reality and provide novel rhetorical
forms that can be used to bring new solutions to problems in the
public realm.
After a brief
explanation of the role played by the Mafia in shaping Sicilian
society, the essay analyzes the rhetoric of the Women of the Fast by
focusing primarily on their ability to transcend the personal by
making public traditionally private symbols such as food and the
body. The analysis begins with the coming together of the group and
with the women's understanding of fasting as a form of political
protest. It then focuses on the actual experience of protest during
the month spent in the square, and on how the women's presence
changed the traditional symbols of the public square, opening a
forum to express their public voice against the Mafia.
The Mafia in Sicily
The Mafia has existed in
Sicily for over one hundred years, during which time it has played a
very important role in shaping the values, beliefs and the entire
way of life of most Sicilians. Although the Mafia has always been a
criminal organization concerned with gaining economic and social
power in illegitimate ways, its relationship with Sicily has often
been advantageous for both parties. Because of the nature of its
domain, the Mafia has always been in direct opposition to the State.
Historically, Sicilians felt alienated from the rest of Italy, often
relegated to the status of secondary citizens, and have learned not
to trust the Italian government and not to expect its help (Fabj,
1998). Furthermore, traditionally the State has not maintained a
very strong presence in Sicily, and the Mafia has taken advantage of
this absence by becoming the State wherever the State was absent. In
Sicily the Mafia brought much violence but it also took care of
petty crime, offered protection, created jobs in many industries,
and encouraged social mobility (Gambetta, 1992). This is not to say
that its aim is not corrupt and its means unethical. However, one
cannot underestimate the emotional, social, and economic link that
exists between Sicilians and the Mafia even if this link is clearly
one between oppressor and oppressed. As some of the Women of the
Fast explained, the Mafia "is a community of which one can feel a
part, and has a closer and more tangible dimension than the State"
(Accardi et al., 1994, p. 71).
Throughout its history,
Mafia players have always been "brigands, always connected to power
or at least to that part of power which counts" (Marchese, 1986, p.
8). Without connections and support from what appear to be
legitimate sources of power (i.e., government officials, police
chiefs, etc.,) the Mafia could not have survived this long
(Arlacchi, 1992/1993, p. 5). The complicity, or at the very least,
the impotency of the State creates an atmosphere of helplessness
among ordinary people and a feeling that the State is truly absent
as a force which can change people's lives, especially in Sicily
where the Mafia is strongest. Thus, it is easy to understand why
ordinary people give in to the demands of the Mafia, and let
themselves be subjected to extortion. Buscetta explains that, "In
the Sicilian towns it is the Mafia that has the power, not the
State. Even today they turn to Riina, [a powerful Mafia boss who is
in jail awaiting trial] they tremble in front of Riina, but they
turn to him" (Commissione Parlamentare Antimafia, 1993, p. 22). Fear
becomes the driving force that leads to acceptance of the Mafia, and
to people's unwillingness to collaborate with the authorities to
fight the Mafia. A woman interviewed by a journalist regarding the
Mafia summarized this feeling well. Without irony, she said: "See, I
told you these things to make you understand, because I like you.
But why do you think I have not spoken before? Because I have three
cats, a cute penthouse, a father, a mother, two brothers, three
beautiful nephews, and all are combustible" (Salemi, 1993, p. 12).
Lack of trust in the
authorities and fear are the undertones to the cultural practice
known as "omertà" [connivance]. To live by the "law of
connivance" means to give tacit approval to the illegal activities
of the Mafia. Connivance, thus, equals loyalty to the Mafia. It is
manifested in the total acceptance of the power of the Mafia,
granting complete sovereignty to the "family" which controls a given
territory (Chinnici & Santino, 1989). Adherence to this practice
extends beyond the members of the Mafia to include almost all people
of different social classes. Thus, people are taught to "mind their
own business," to accept the inevitability of a society ruled by the
Mafia, and to avoid any action that might interfere with the Mafia's
illegal activities. As a result, Mafia culture is tolerated in
Sicilian society (Fabj, 1998; Siebert, 1994). The cost for whomever
chooses to disobey this order is very high: rejection by one's
family and friends, economic calamity, and often death.
Although public
demonstrations against the Mafia are not uncommon, they are usually
associated with candidates running for political office, and
traditionally candidates of left wing parties. However, especially
lately, such demonstrations have been criticized as "mere rhetoric,"
or as politically correct speeches with few direct results. Even
more important, the declarations of former Mafiosi have
uncovered connections between the Mafia and politicians who vocally
opposed the organization in public (Arlacchi, 1993, p. 5). Leonardo
Messina, a former Mafioso turned State's evidence, declared:
"All politicians say they are against the Mafia. One needs to see in
reality what they do, the agreements they have. We do not worry very
much: it is a facade. Consider this, a politician one evening came
to my house for dinner and the next day he was at an anti-Mafia
rally" (Mafia e Potere, 1993, p. 72). Thus, political rallies have
lost much of their meaning, and Sicilians have become skeptical of
politicians who speak against the Mafia.
This is the context
needed to understand the Women of the Fast and their protest. In a
society where individual citizens are afraid to speak against the
Mafia and have lost faith in the ability of the State to protect
them against this organization, a small group of women decided to
make public their indignation for the crimes committed by Cosa
Nostra. In a place where traditional rhetorical methods had failed,
because few people trusted words that denounced the Mafia, they
chose to speak with their bodies rather than with their words, to
show their commitment to the anti-Mafia cause. To be heard, they had
to enter a realm that had to that day been predominantly male (there
are few women politicians in Sicily who speak against the Mafia),
they had to adopt new and innovative rhetorical forms that would
overcome the cynicism of many Sicilians, and they had to engage
other Sicilians who would certainly hesitate to participate for fear
of becoming vulnerable to the Mafia by disclosing their views. They
accomplished all this by transcending private symbols, and created a
distinctively feminine form of protest in their fight against the
Mafia.
The Women of the Fast: A redefinition of symbols
An atmosphere of despair
reigned when eleven women gathered at the
Unione Donne Italiane
(UDI) [Union of Italian Women],
a women's center in Palermo, after attending the funerals of
Borsellino's bodyguards on July 21, 1992, yet none of them was ready
to return home to isolation and inaction. The women did not
necessarily share political views, and some were non-partisan all
together, but they were united in their grief and in their dismay
over the recent murders. Then, Claudia, one of the women, said, "We
have to do something that we have never done in our political
history: a hunger strike in a public square, until the people
responsible for the homicides are relieved of their jobs"
(Mortillaro, 1992, p. 1). The proposal received mixed reactions.
Some worried about embarking in such a different form of protest
from what they were used to, others thought of their family
commitments, while a few were uncertain of the significance and
effectiveness of this course of action.
One of the appeals of
fasting was the novelty of this form of protest for the women
involved. They chose a form of protest that would unite them and
erase their differences: "It is time to leave behind our political
or group affiliations. Let us do something together, as individuals,
as women, as citizens" (Morgantini, 1992, p. 2). A protest based on
symbolic acts, on the physical participation of each individual,
purposely without words that might divide, seemed the most
appropriate strategy. Suddenly the women agreed to try this new form
of protest. They chose a square, Piazza Castelnuovo, in the center
of Palermo, applied for a permit, found a tent, and a camper. They
decided to take turns fasting, never endangering their health or
their lives, but rather maintaining a permanent presence in the
heart of the city. The next day, July 22, 1992, they occupied the
square and began their protest. They set up a large banner which
read: "We Are Hungry for Justice: We Fast Against the Mafia."
By choosing to fast,
they chose to take the private act of nourishment and make it
public, changing themselves from private citizens to public figures.
At the same time, by choosing to fast in a public square and
especially by maintaining a permanent presence in the square for an
entire month, they changed the very meaning of the square, from a
public space to a space permeated with private symbols made public.
The following analysis shows the dual nature of the choice of
fasting in a public square, a choice that changed the participants
of the fast, and changed the nature of the public space in which the
fast took place.
Fasting as rhetorical choice
In the following days,
and throughout the month-long demonstration, the Women of the Fast,
who were joined by many others and at times numbered over two
hundred, reflected on the meaning of their fast. Many of them
stressed the difference between their form of fasting, which
involved taking turns of one to three days, and more traditional
hunger strikes: "In our fast there was no aspect of threat. There
did not exist the equation: if you do not do what I want I will fast
and die. We did not ask anything of anybody. We only demanded a
general cleansing so that not only among authorities but everywhere
everyone would accept the responsibility of his or her own actions"
(Lanza, 1994, p. 61). The choice to take turns in fasting allowed
them to maintain a longer presence in the square (their protest did
not have to end once their bodies became too weak from malnutrition
and died), but it also clearly defined this fast as their own, as
different, and gave it a unique meaning.
Many women spoke of the
uniquely feminine meaning of their fast. Angela Lanza (1994), one of
the Women of the Fast, explained, "We wanted to feel transparent and
clean against the dirty work and the cruel actions of the Mafia; we
were determined to reject any role of subjugation, and therefore of
complicity" (pp. 60-61). Since food and nourishment are the
responsibility of women in Sicily, and women are often connected to
others and to their community through the preparation and sharing of
food, the Women of the Fast believed that by rejecting food they
could symbolically reject the connection with their community. In
somewhat strong language Angela (Lanza, 1994) states:
I wanted to have nothing
to do with these people, with these Sicilians! I cut myself off from
others through lack of nourishment which is a basic and primordial
need, because I wanted to have nothing to do with people of the
Mafia. I felt that the body needed to be transparent, I had to keep
it away from this filthy situation. We have chosen to act through a
symbol that is congenial to us: food is nourishment and it is part
of the daily lives of women because we nurse, we grow food, we
prepare it, we cook, we are in tune with nourishment. . . . And
since food also turns into shit, I do not want to add to the shit
that is in this city. Thus, it is as though we had said: we do not
want to take on the role of mother or of woman in a world that we do
not agree with. We no longer want to be accomplices and we subtract
ourselves from this shitty situation. I want transparency: this
desire has given me a great energy and great joy. Many of us have
felt this way. For me it has been an affirmation not a negation. (p.
61)
To reject the Mafia and
all that is corruption, to be clean, to separate from this culture:
these were the themes echoed by many of the Women of the Fast.
While the eleven
original women had quickly agreed on the meaning of the fast, others
who joined them sometimes struggled with its significance. Simona,
for example, wondered: "What are we doing? We want to fight the
Mafia with a fast made by women? But what do we do to the Mafia by
fasting? Are we throwing whipped cream against an atomic bomb?"
Eventually she decided that what she was doing was indeed
worthwhile, that her presence in the square could make a difference:
"To be here myself, to give my name, my time, to lose three days of
my life and put them in this square; to be part of this large
collective penance of not eating, in remembrance of those who are no
more, and who cannot eat or walk or see; to transform my body which
is mine and over which I have total dominion, in an instrument of
protest, not violent and silent, but louder than any scream" (Lanza,
1994, p. 25). For many of the women fasting also signified the
"identification with the terrible pain of those bodies, ripped apart
by the massacre of Via D'Amelio" (Lanza, 1994, pp. 60-61). This
sacrifice of not eating, of stopping the daily routine, and standing
together with other women in defiance of the Mafia and in solidarity
with the victims of the recent events empowered women who were tired
of feeling helpless in a city dominated by the Mafia.
Gianpiera had different
misgivings about fasting. She was not concerned about the effect of
the fast against the Mafia as much as unsure of the choice to fast
because "Fasting evoked ideas of purification, of self-punishment.
Then I understood and agreed that it is a form of protest that
involves one's entire being, as a person, and it is precisely this
focus on the value of our own subjectivity that has worked, not only
for us, but as a message for the entire city [of Palermo] and for
those who live here" (as cited in Bertuglia, 1993). Her words are
echoed in the explanation given by the Women of the Fast to a
reporter from the Boston Globe who inquired about the
significance of their protest: "Fasting is a form of protest that
does not pertain to the history of the women's movement in Italy,
but it involves our body. It is a sign of cleanliness, of
transparency so as not to waist any energy. It is a symbol
diametrically opposed to violence . . . . It is a metaphor for our
hunger for justice and truth. Through this symbolic order—visible in
the very heart of a city like Palermo where symbols are still very
important—we feel more certain of our actions" (Lanza, 1994, p. 46).
Although the Women of
the Fast chose a hunger strike as their primary form of protest,
they did not limit their demonstration to their fast, but employed
many other rhetorical strategies to make themselves more visible in
Palermo. First and foremost, they fasted in a public square, and
their presence, their banners, their speeches all added to the
anti-Mafia message. The following section analyzes the women's
rhetorical strategies as seen in Piazza Castelnuovo, the square they
occupied for their protest.
The square: Private symbols shape a public space
While one can argue that
a city square is simply a city square, it is important to note the
symbolic meaning of public spaces and the tension that exist
therein. As Madanipour explains, one can only understand public
spaces by looking at the dialectical relationship between the
context and the people or actors who inhabit it (albeit
temporarily). Places that might appear timeless actually change as
people interact with them. Similarly, people can be changed by their
interaction with such places. Thus, it is crucial to see how “the
dialectic relationship affects and changes both actors and the
multiple contexts of the actions” (Madanipour, 2003, p. 3). To
better understand the impact of the Women of the Fast occupying a
city square one must look at the symbolism associated with city
squares in Sicily and at how the women’s presence challenged those
symbols changing both the context and themselves as active
participants in the struggle against the Mafia. In doing so, they
questioned the power structure and transformed “the inherent power
imbalance toward a more inclusive outcome” (Madanipour, 2007, p.
251).
Squares are very
important sites in Sicilian cities, especially when they are in
central locations. They almost always include a "bar" or cafe with
outdoor chairs and are meeting places for old men who sit playing
cards and discussing politics or sports. They are places of
reunions, where people meet in the evenings. Squares are also places
of transition. People come and go at will, and often do so
hurriedly, creating a sense of constant motion. At times they might
be turned into little market places where food or clothes are sold.
Sometimes, they are used for music concerts or for dramatic plays
reminiscent of the Commedia Dell'Arte in the Renaissance. Still
other times, public demonstrations and political speeches are held
there. In a square, many things compete for one's
attention—buildings, people, cars—and thus one can forget one's life
for a while. While public places, squares provide anonymity: one can
feel inconspicuous, disguised, and almost lost among people.
The image of the square
fits well with the Sicilian mentality of minding one's own business.
In many ways squares enable people to live by the law of connivance
[omertà]. The transitory nature of squares is symbolic of
people's desire to avoid responsibility by just "walking by" events.
The square as marketplace represents the everyday acceptance of a
society controlled by the Mafia (as the products sold at the market
are controlled by the Mafia), and the extent to which people depend
upon those products for their survival. The anonymity provided by
the square allows people to live as cowards without being noticed,
to hide among others instead of personally participating in the
fight against the Mafia: the complexity of the square makes it easy
to look the other way, too busy to get involved, and able to claim
ignorance.
As Foucault explained,
there are public places “that seem to be pure and simple openings,
but that generally hide curious exclusions. Everyone can enter … but
in fact that is only an illusion: we think we enter where we are, by
the very fact that we enter, excluded” (Foucault & Miskowiec, 1986,
p. 26). This tends to be the case for women in Sicilian cities.
Although women are certainly present in squares, in general this is
the dominion of men. Men sit in groups in squares (while women work
at home), men sell their products at the market (and women buy
them), and it is mostly men who stage political demonstrations. The
masculine dominion of the square is reminiscent of traditional
Sicilian values, adhered to and encouraged by the Mafia, in which
men are in control of public life and women's function is to be
mothers and wives, caretakers of the home and family. Thus, a public
space as apparently open as a square is, in Weisman’s (1994) words,
“but a reflection of a comprehensive system of institutionalized
sexism” (p. 63). Further, the male domination of such public spaces
requires added efforts on the part of women who choose to step
outside of the traditional private spaces to which they are
relegated and enter spaces more conducive to public
deliberation.
Piazza Castelnuovo is a
very large square at the center of Palermo, always full of people
and surrounded by trafficked streets. In the square there are palm
trees that provide much needed shade in the unbearably hot Sicilian
Summer days, and a little stage used for music concerts. The Women
of the Fast set up camp with a tent, a camper, and a few small
tables with chairs to collect signatures of people who support the
fight against the Mafia as well as suggestions of possible courses
of action to intensify the fight. The large banners with slogans
like “We are Hungry for Justice: We Fast Against the Mafia” and
"Between Killing and Dying There Is a Third Choice: Living" made it
impossible for anyone passing by not to notice their presence.
Together they challenged the traditional symbols of the square and
redefined this public space to stage successful political
demonstration.
Permanence vs.
transition
Almost everything the
Women of the Fast did was in direct opposition to the common
symbolism of the square, and therefore stripped away any parallel
between "their" square and the Mafia. First of all, the Women's
permanent presence in Piazza Castelnuovo defied the transient nature
of life in public squares. While everybody else came and went, the
Women of the Fast remained in the square for an entire month. They
began their demonstration with a press release stating their goals:
We begin this afternoon,
with the occupation of Piazza Castelnuovo, a hunger strike, as
citizens of Palermo beyond any membership to political parties or
associations, which will continue until Prefect Jovine, Head of
Police Parisi, Attorney General Giammanco, High
Commissioner to the Fight Against the Mafia Finocchiaro, and
Minister of Internal Affairs Mancino will resign.
We know that this
is only the beginning: but the confrontation with this dramatic
situation, the need for acceptance of responsibility by the system
of power that has governed us for over 45 years, and the
confrontation with the rituals that follow every homicide while
waiting for the next victim, require strong and significant
measures. We demand that at least those who occupy institutional
roles finally accept responsibility.
It is the only
action we feel we can take.
We want to
continue living in this city.
We encourage the
solidarity of whoever wants to be with us in Piazza Castelnuovo
beginning this afternoon.
Palermo, July 23, 1992
(unpublished pamphlet).
By asking for the
resignation of top government officials, the Women of the Fast hoped
to make the government accountable for its failure to protect the
Judges and their escorts, and for the slow progress against the
Mafia.
The women with their
tent, tables and chairs remained in the square from July 23rd until
August 23rd. For an entire month they collected signatures against
the Mafia, and asked people for suggestions on how to fight its
oppression. During this time they collected over 3000 signatures and
suggestions in answer to the question "What can be done against the
Mafia?" (Salemi, 1993, pp. 173-174). People came forth, defying the
law of connivance, to give their opinion and add their names and
addresses to the list of people against the Mafia. They chose to
take responsibility, even if in a small way, for ending the violent
Mafia culture, and put themselves on the line by disclosing their
anti-Mafia feelings.
Place of remembrance
vs. marketplace
The action of fasting
was in direct opposition to images of the square as a marketplace.
Here, in Piazza Castelnuovo, women refused to consume the products
sold by men, not because they opposed men but because much of the
agriculture and food industry in Sicily is controlled by the Mafia.
As shown earlier, by rejecting food, they rejected the role of women
as passive consumers of "dirty" food, and as supporters of a corrupt
economy. The market is also representative of everyday life, a place
where women go routinely and which allows them, through its
products, to perform many traditionally feminine tasks like
providing meals and clothes for their families. By rejecting the
market, the Women of the Fast affirmed that life could not go on as
usual in light of the recent killings. They thus transformed the
square into a place of remembrance, an ode to their martyrs, and a
stronghold against the Mafia. All routine had to be stopped, all
signs of normality avoided, so as to underline the severity of the
present situation in Sicily.
Visibility vs.
anonymity
The presence of the
Women of the Fast in Piazza Castelnuovo was in direct opposition to
the notion that one can become invisible in a square, anonymous
among people. The Women of the Fast made their presence known by
occupying the square and filling it with signs and painted sheets
that announced their presence. Angela Lanza (1994) explains that one
of the main purposes of the fast was to gain visibility: “Our
actions make us visible in our opposition, with our occupation of
the square. We are looking for a word that makes us ‘be,’ which
makes it impossible to erase us. A word that is not separate from
our body and thus is whole” (p. 36). The translation of private
symbols into public ones allowed the Women of the Fast to “speak”
without words, to involve their body and mind (in the fast) their
private lives and their public selves (in the sheets and signs they
posted around the square).
To make their presence
more evident, some women tied clothes lines between palm trees and
hung painted bed sheets on them. Various local artists painted the
sheets, some with just pictures, others with slogans. One portrayed
a picture of Borsellino and Falcone and stated: “They have closed
your eyes, and you have opened those of the people of Palermo”. The
sheets gave color to the square, and voice to the women. They took
on a symbolic significance both in the square and outside of it,
where people hung sheets from their windows as a sign of protest
against the Mafia and its killings. Franco, one of the artists,
explained that in their daily use bed sheets serve as coverings,
concealing people, while here their symbolism has been reversed: The
sheet, “no longer covers but reveals, it is not white therefore it
is not silent; it speaks, it even screams. The fight against the
Mafia is expressed with passion, among a plurality of
interpretations from which emerged the horror of violence, the pain,
the disgust, the hope; all in tumultuous floods of color” (Alajmo,
1993, p. 106).
At one point, the Women
of the Fast began to cover the statues in the square with newspaper
to protest against the inability of newspapers to take a definite
stance against the Mafia. The media reinforces this atmosphere of
uncertainty by reporting the many arrests of Mafiosi, as well
as their subsequent releases, and creating a sense of helplessness
in which the Mafia continues to thrive. As a result, Sicilians
continue to tolerate the Mafia, to subscribe to "omertà"
[silence], and to accept the present condition as inevitable. By
bandaging the mouths of statues the Women of the Fast symbolized the
silence imposed upon Sicilians by the press, which creates a sense
of tolerance of the existing Mafia system instead of encouraging
dissent.
Feminine vs.
masculine sominion
Through their occupation
of the square, the Women of the Fast transformed the traditionally
male public square into a distinctly feminine place. By simply
maintaining a strong presence in the square, they inverted the usual
ratio of men to women, but most importantly they stopped being
spectators (as women traditionally are in the markets and at
political rallies), and they became the orchestrators of events. Men
were never excluded from fasting, but barring a few exceptions, they
did not volunteer, and although men were welcomed they only played a
marginal role in this demonstration. Bice explained: "The attitude
of the men that came to the square deserves reflection. They showed
respect and admiration, besides their initial and sporadic ironic
comments. They seemed disoriented when confronted with such a new
and different strategy” (as cited in Lanza, 1994, p. 45). She
described how men suggested the use of more traditional rhetorical
strategies including the use of loudspeakers for speeches and of
leaflets, and the Women had to resist some attempts by men to
identify the protest with specific political views, especially in
the early days of the demonstration (as cited in Lanza, 1994, p.
45).
The organizational
structure of the group was also distinctly feminine, and did not
resemble the traditional political demonstrations against the Mafia.
There was no hierarchy in this group. Simona recalled: "There [was]
no leader, no secretary, no friends-first-and-then-others. Among
women the sense of egalitarianism, of interchangeabilty (I started,
"you finish," "take my place for a moment," "she will continue"), of
circularity almost to the point of anonymity, is constantly in the
background" (as cited in Lanza, 1994, p. 24). The Women of the Fast,
whether or not they were the ones fasting at the time, sat together,
discussed ways to fight the Mafia, and gave each other the much
needed emotional support to overcome this difficult moment in
history.
The women found comfort
in each other’s presence and used their own bodies to make a
statement against the Mafia. They did not try to persuade others to
join them by giving speeches, but simply showed their commitment by
occupying a space that was not traditionally theirs. They chose a
form of protest that drew upon their experience in the private
realm, where collaboration and connection to other women helped them
find a voice and the strength to overcome life’s obstacles. Although
there was no immediate danger in the square, they knew that their
peaceful protest would gain the attention of the Mafia and might put
them and their families in danger. Yet, they persevered and showed
the people of Palermo that they were committed to this cause with
their entire being.
Conclusion
On August 23, 1992, one
month after they first occupied Piazza Castelnuovo, the Women of the
Fast decided to leave the square and end their protest. They held a
public performance on their last night in the square during which
they reaffirmed their commitment to the fight against the Mafia
through readings, poems, speeches and dances. They promised to meet
again twice a month in the square for the following year on the 19th
and 23rd of each month, the dates of the two massacres. While it was
hard for many of the women to choose to leave the square that had
become their home and center of support, they agreed that they had
accomplished a great deal in the month-long occupation, and that to
stay would mean to risk becoming a "label" a dead symbol that people
no longer noticed but took for granted.
Angela Lanza (1994)
reflected on the experience of the fast by saying: "We fasted
because we could not do otherwise, because if we had not done it we
would have been erased. Only like this, by being visible, we were
able to be at peace with our conscience. Vigilance, in a moment of
danger, has united the group, in spite of the differences that the
many women brought with them to the square, both in our political
affiliations and in the lack of affiliations” (p. 62). In the
process women were changed and learned the meaning of working
together for a common cause in a public square which transformed
them into symbols of the anti-Mafia sentiment that existed in
Palermo. Giampiera (cited in Bertuglia, 1993), one of the Women of
the Fast, described this personal transformation as follows:
I believe that for some
strange reason driven by refusal or sensitivity, we alone at first
and then with others, have given meaning to an existing exigency:
the need to redefine the individual and social space in our lives as
citizens: individually, because by not delegating my responsibility
and accepting old rituals or giving into rhetoric, I am here; and
socially because I was not alone, and the strength that has come to
us by not being alone is incredible and was unimaginable.
By working together in a
public space the Women of the Fast did not allow people to forget
what the Mafia had done to Judges Falcone and Borsellino and their
escorts. Most of all they kept the conscience of a city alive during
the month of August, a time in which Italians tend to forget about
work and responsibility and hide in the sanctuary of the beaches.
By changing the meaning
of a public square through the use of personal symbols, the Women of
the Fast were able to gain the attention of the people of Palermo,
and encouraged a free and open discussion of the Mafia. Luisa, one
of the Women of the Fast, believed that the success of the protest
resided precisely in this, in the ability to bring to the forefront
the issue of violence by the Mafia and to open the way for a public
discussion of ways to combat it. Luisa (as cited in Lanza, 1994)
explains: "We think that deep down we have achieved a great deal. We
are keeping a piece of civil society alive in Palermo. We have not
allowed people to go home alone and helpless after the last
massacre. There is pride in the women who initiated this protest. We
feel the need to change this city, to "liberate" the territory, to
face the problem of violence and also of joblessness, to change the
role of women of and in the Mafia” (pp. 30-31).
In the end, the Women of
the Fast achieved their stated goals: four government officials
resigned, and one was transferred. But their true victory came in
their ability to bring visibility to the problem of the Mafia and to
engage the people of Palermo in an open forum to discuss civic
responsibility. By translating private symbols into public ones, and
transforming masculine space into feminine space, they created a new
interpretation of social reality. They showed the people of Palermo
that it was possible to engage in rhetorical practices that went
beyond traditional political demonstrations. In essence, they proved
that their commitment to this cause was genuine and not limited to
dedicating a few hours shouting slogans or giving speeches for
political gain. It was their obvious commitment, and their
welcoming tactics reminiscent of the private realm, that encouraged
so many people to add their signatures and their suggestions to the
fight against the Mafia.
Note
1
All translations from
the Italian are the author’s.
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About the author
Dr. Valeria Fabj (Ph.D.
Northwestern University) is Editor Elect of Women’s Studies in
Communication and Professor of Communication, Chair of
Communication, Media & Politics and Director of the MS in
Communication and Media in the
College of International
Communication at Lynn University in Boca Raton, Florida. Prior to
joining the faculty at Lynn University she taught at Emerson College
and at Northern Illinois University. Her articles have been
published in Quarterly Journal of Speech, Communication
Studies, Advocacy and Argument, and American
Behavioral Scientist. Dr. Fabj’s research focuses on the public
sphere as a forum in which traditionally marginalized groups can
gain a voice and affect public praxis. Her belief is that citizens
can be empowered and reclaim some of the decision-making power that
is often abdicated to experts. Dr. Fabj focuses on two primary
areas: how marginalized groups, and especially women, can draw on
the personal sphere to bring about significant changes in the public
sphere and how issues can be argued in different spheres as in the
case of medical activists who politicize issues traditionally
relegated to the technical sphere. She can be reached at
vfabj@lynn.edu
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