The aim of this paper is, through linking
the two relatively new concepts of ‘Emotional Intelligence’
and ‘Peace Journalism’, to demonstrate how media people and
the general public, together, can influence the current
media culture through an increased awareness about reporting
styles, journalistic conventions, and the impact of media
productions on populations in different contexts.
The term ‘Emotional Intelligence’
is usually associated with Daniel Goleman and his mid-1990
bestseller by the same name. Goleman promoted the idea of an
‘EQ’1 (for emotional intelligence) as a
prerequisite for effectively using one’s IQ. In Goleman’s
understanding ‘EQ’ stands for the capacity for compassion,
empathy, motivation, self-awareness, and to bringing energy
back into flow within an individual. An intrinsic
intelligence of the heart affects an individual’s decision
making at the level of the brain and moves them towards a
state of internal wellbeing.2
One of the relatively recent developments
in the media world is the recognition of the traumatizing
effects certain journalistic activities can have on the
psyche of media people. The concept of Emotional
Intelligence assists in exploring recent findings about PTSD
(post traumatic stress disorder) and burnout from the areas
of psychology, brain research and communication science in a
professional media context.
Along with all military personnel,
journalists and particularly war correspondents are
increasingly considered at risk of being emotionally
traumatized as a result of experiencing and witnessing
emotionally challenging situations in the course of their
work. At the same time media professionals are less likely
to be trained in recognizing the effects of traumatization
on themselves and when they need to seek help.
Anthony Feinstein, a Canadian
psychiatrist, says that the denial of the reality around
exposure to trauma and its likely psychological consequences
may be "a necessary, albeit distorted prerequisite
allowing war journalists to venture repeatedly
into situations of grave physical danger".3
Feinstein says that many media professionals suffered in
silence due to a macho culture where admitting to emotional
stress was highly frowned upon, and that some journalists
(who may not have been suitable for it) had become war
reporters in the belief that this would give them a high
media profile.
Jack Laurence, a correspondent with
30 years experience of working for American
television networks, also conveys an impression of the
attraction to high-risk situations: "The experience to a
young reporter is thrilling. You must all know that…several
things happen in one’s own psyche to enhance the experience."4
Hence, the Survival Guide for
Journalists warns against "a macho culture and a
competitive urge for danger" or an "adrenaline
high"5, and reminds its readers that a
journalist’s job is about telling, rather than "becoming",
the story.6
A more emotionally intelligent approach
to media work would include an assessment of media people’s
potentially unconscious motivation for the choice of their
profession, particularly where personal traumatization
through working as a war correspondent may be, or become, an
issue. Mariette Van der Merve says that journalists "must
expect their own pain and trauma to be reactivated by the
incidents they report. If they do not have such awareness
and develop constructive coping strategies, they may slip
into pathology with their own life scripts moving them into
negative downward spirals".7
This requires a shift of the mainstream
media consciousness towards a culture where such care and
consideration towards journalists and other media people is
considered a priority. Such an attitude will subsequently
benefit its readers, viewers, listeners and those who they
report on in the world.
Journalists regularly face many obstacles
that would make it difficult to remain conscious of their
emotional states most of the time. Frantic deadlines;
constant pressure to compete with other papers, broadcasting
agencies or colleagues and exposure to further traumatizing
environments, all impact on individual journalists, the
quality of their life and also their reporting. While
the limitations imposed by the expectations of media
corporations have a direct effect on journalistic quality,
and an indirect impact on audiences, the called-for changes
in media consciousness are unlikely to originate in the
industry’s decision making bodies.
A new concept influencing global media
coverage is presented through the defined distinction
between a ‘war’ and ‘peace’ journalistic orientation. Either
orientation influences the media, concerning, for example,
whether newspaper or TV reporting practices tend to select
news items according to their market-value on the day, or
the degree to which they could improve the state of the
world. One of the important recognized aspects in the new
field of Peace Journalism is the need for journalists to
familiarize themselves with conflict analysis tools for a
more impact-conscious and responsible way of presenting
world news in the media.
Annabel McGoldrick regards the attitude
of some journalists who consider the consequences of their
reporting as "coincidental and beyond their control"8
as untenable; she equates this attitude to that of a car
company who tries to justify the damage that cars do to the
environment in similar terms. McGoldrick estimates that
journalism is about twenty years behind the efforts of the
corporate world to introduce ethical business conduct in
their field.
The consciousness of the presenter will
have an impact on the viewer, as well as the viewed party.
Irina Brezna strongly expresses her criticism of a Zurich
studio director disrespectfully enjoying his sandwiches
while editing footage from mass graves in Grozny.9
In the same vein, Brezna comments: "The naked backside of
a corpse flashes around the world. It sums up the
humiliation of a culture where exposure of certain body
parts is taboo"10 , and where "the dead
are more sacred than anything else".11
Another point is the public’s
responsibility regarding media issues. In a free market
society, public demand for certain types of media
productions does have an impact on what the media will
produce. There is a two-way relationship between the public
and the media, in that each party is in a position to have
an impact on the other in terms of the contents and form of
media productions. Neither party can hide entirely behind
the other regarding the quality of media productions; an
increased sense of responsibility on the part of the public
around the demand for sensationalizing celebrity news or
truth-distorting presentations of events will be reflected
in a corresponding change in the style and content of future
media productions.
Katherine Ramsland is very outspoken
about this issue, to the degree of referring to "society’s
complicity" in the uncritical response to violence
portrayed in the media. She writes: …do we really wish to
know our complicity? Do we want to be shown that our
desire for killers to be utterly savage is nearly as obscene
as what he actually does to his victims? That would
mean looking at how we run in droves to films that depict
such monsters, how we crave every gory detail the media
feeds us, and how we applaud Hannibal Lecter’s cleverness in
ripping off the face of an orderly to disguise himself with
the skin.12
A change in awareness by all of the
involved parties will influence the orientation of media
producers’ regarding the content and quality of future
broadcasts and publications. Change could be brought about
if a sufficient number of journalists refused to expose
themselves to life threatening or severely traumatizing
situations for the sake of feeding an audience’s insatiable
hunger for detailed depictions of human dramas and
catastrophes. The public’s ‘right to know what is happening
in the world’ may have to be put into perspective,
particularly also in view of the consequences from certain
media presentations on different under-age groups.
In many cases in the West, parents have
largely lost control and often also any interest in the type
and degree of their children’s media exposure, particularly
when media productions via the internet, as well as computer
games, are added to the list of ‘parenting-replacement’
tools. Extreme cases of constant exposure to inappropriate
and violent media content, combined with a neglect of
general parenting duties constitutes a modern, and
increasingly frequent, form of child abuse. Teenagers or
children, after turning on the TV or their computer for
their favourite game, have been heard to make statements
such as "I’m just bumping off these people for a while"13.
Such behaviour on the part of human
beings who are at a precarious stage of developing and
forming their personalities points to a manifest, but widely
ignored, crisis in regard to parenting and the media. The
potential long-term risks to society from such ‘normal’
lifestyles are practically not considered. Such concerns
cannot be the media’s responsibility alone. An attitude of
declaring the media guilty for the consequences of parental
neglect betrays a lack of consciousness in society. The
fruits of a society’s actual operating level of
consciousness will be, certainly and reliably, reflected
back by the media. This will be evident in what is reported
on as well as in the collectively accepted style by which it
is reported.
Research findings have shown that
decisions arrived at through an intellectual process are
often influenced by underlying emotional processes, that
often remain outside of an individual’s consciousness. The
aim is to bring these unconscious motivating forces into
consciousness and introduce a more emotionally intelligent
approach in the media profession through a more
heart-focused orientation.
Doc Childre refers to findings, according
to which the brain ‘obeys’ incoming messages from the heart,
thus influencing a person’s behaviour. This
research has also shown that the heart generates the
strongest electromagnetic field produced by the body, and
that a loving intention results in an exchange of
electromagnetic energy with healing effects between
individuals. Positive emotions such as love, care and
appreciation have also been shown to increase the
synchronization between the heart, brain and body within an
individual.14 Attending to media people’s own
intrinsic psychological needs will increasingly enable
journalists to operate in an emotionally congruent way. In
turn, this will impact on the way in which future media
productions affect the state of an individual, a community,
a nation, or the state of the world at large.
The strength of peace-journalism’s agenda
lies in the recognition that the reporting of events comes
with a personal responsibility for the impact that the style
of reportage has on the people and circumstances that are
being described.
From an emotional intelligence
perspective, this constitutes an intra and inter-personally
resourceful way of addressing today’s media challenges. The
dilemma for correspondents in the West, who feel compelled
to adhere to corporate demands on the one hand but wish to
follow their own standard of ethics on the other hand, can
only be overcome when a sufficient number of correspondents
decide to follow their heart instead of aiming to outdo each
other in fulfilling the expectations of media corporations,
audiences, or governments.
Networking between like-minded
peace-journalists, the development of new concepts regarding
expectations of, and by, the media; the introduction of
changes in journalism training and an official
acknowledgement of a ‘duty of care’ to journalists are
encouraging steps in a the right direction. Such awareness
seems timely in an age of globalization where the benefits
and shortcomings of any conduct tend to spread faster and
with greater impact than ever before.
Perhaps the current in-vogue notion of
the ‘CNN-effect’, referring to the media’s role in
(selectively) attracting attention to certain conflict
situations as opposed to others and therefore indirectly
influencing the course and outcome of conflicts, could one
day be replaced with something like a ‘PPR-effect’ (for
‘peace promoting reporting’) which would expose the
presence, or the absence, of such corresponding attitudes in
the reporting of international conflicts.
In this sense a media culture change
towards a more emotionally intelligent, peace journalistic
perspective is not so much an option, or a choice, but
rather an urgent necessity in keeping with a vastly changed
Zeitgeist, responding to, in Mark Brayne’s words, "an
emotional dimension to politics and to journalism and the
human condition in the twenty-first century".15
If those who work in the media raise
their individual consciousness around their own and the
media world’s strengths and shortcomings and if they develop
a new sense of responsibility towards themselves, those they
report on and those they report for, then they, together
with audiences, have the capacity to create a media
consciousness that promotes the spirit of the common good.
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